by Siem Huijsman | Oct 22, 2024 | Analysis, music theory
Beethoven piano trio op.11: an analysis of the exposition Table of contents Introduction Practical information Sonata form terminology Notational convention for major and minor keys Most suitable devices The piano trio op.11 – First movement Global...
by Siem Huijsman | Feb 15, 2024 | Analysis, music theory
Schumann string quartets: the comparison Table of contents Introduction Practical information Sonata form terminology Notational convention for major and minor keys Most suitable devices The comparison of the string quartets Some globel characteristics The keys...
by Siem Huijsman | Jan 4, 2024 | Analysis
Schumann string quartet no 3 – an analysis Table of contents Introduction Practical information Schumann string quartet no 3: analysis Slow introduction Motives of the slow introduction Exposition Main theme or First Tonal Area (FTA) Motives of the main theme...
by Siem Huijsman | Nov 12, 2023 | Analysis, music theory
Schumann string quartet no 2 – an analysis Table of contents Introduction Practical information Schumann string quartet no 2: analysis Exposition Main theme or First Tonal Area (FTA) The A1 part The A2 part The A1′ part Motives of the main theme...
by Siem Huijsman | Sep 6, 2023 | Analysis, music theory
Schumann string quartet no 1 – an analysis Table of contents Introduction Practical information Schumann string quartet no 1: analysis Slow introduction The chromatic Monte Exposition Main theme or First Tonal Area (FTA) The A1 part The A2 part The A1′...
by Siem Huijsman | Apr 9, 2023 | Analysis, music theory
A not so brief introduction to the concept of Period As Schönberg stated in his book on musical composition[1]Arnold Schönberg, Gerald Strang, and Leonard Stein. Fundamentals of Musical Composition (London: Faber and Faber, 1967), 1 and 21., a piece of music is...
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